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Piano chords for “Flowers” by Miley Cyrus reveal a simple but effective harmonic structure, creating an engaging sonic canvas. Here is the chord sequence for the verses, choruses and interludes:
The verses consist of two rotations of these four chords, then a third rotation where the sequence differs slightly. In this third rotation, you will play Am, Dm, and then Mi (E), with the Mi (E) occupying the last two measures of the verse. Apart from the E (E), each chord changes with each new measure.
The choruses consist of three turns of the four main chords (Am, Dm, G, C), followed by a final sequence of two chords, F (F) and E (E), repeated twice (F, E, F, E ), for the last chorus.
The interludes between the choruses and verses use the same chord sequence as the verses and choruses, namely Am, Dm, G and C. The first interlude consists of a round of these four chords, while the second interlude and the final interlude includes two rounds each.
This simple, well-arranged chord sequence creates a solid melodic foundation for “Flowers”, providing a balance between simplicity and variety, which contributes to the overall appeal of the song. Musicians, particularly pianists, can rely on this structure to accompany the voice in an expressive and captivating way.
First verse: Each chord is played in the round, creating a calm and soaring atmosphere. The prolonged holding of the chords reinforces this tranquil atmosphere, allowing the notes to resonate and blend together harmoniously.
For the second verse, it will involve playing a dotted half note chord on the right hand which lasts 3 beats and playing a final quarter note chord on the 4th beat. This last chord brings a little more rhythm to this verse. The second verse is more rhythmic as it is supported by bass drums playing on each beat.
These parts, being the most danceable and bouncy moments of the piece, adopt a distinct rhythm to amplify this effect.
Chorus and interlude: In the right hand, the chords are played in quarter notes on the first two beats, followed by a rest on the third beat. Finally, a final quarter note chord is played on the fourth beat, creating a dynamic rhythmic pulse. In the left hand, a note is played on the first beat, and an eighth note adds subtle syncopation on the “and” of the third beat, reinforcing the bouncy character of the rhythm.
In the piano arrangement of “Flowers,” three simple rhythms are employed, but these small variations are carefully matched to the distinct energy of the different parts of the song.
In short, the beats adjust to match the emotional evolution of the song, creating a cohesive and immersive musical experience for the listener.
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The chord progression is the same as the previous version.
The rhythm has been simplified in this version so that you can play the piece quickly if you are a beginner. Indeed, it is about playing whole notes. You will therefore have to play on the first beat of each measure. You will also find yourself playing a few transition notes on the 4th beat at the end of the turn.
Good practice !
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