Play Killing in the name: BASS

Learn killing in the name bass tab

The bass in “Killing in the Name” by Rage Against the Machine, played by Tim Commerford, is an essential pillar of the song. It forms the rhythmic base of the song while contributing to its punchy and hypnotic groove. The bass playing is a perfect blend of simplicity and efficiency, accentuating the raw energy and power of the this song.

1. killing in the name bass tab: Instrument and configuration

• Instrument :
  Tim Commerford plays on a Fender Jazz Bass modified, one of his favorite basses, known for its rich, punchy sound.
• Amp:
  He uses an amp Ampeg SVT, which delivers deep bass and powerful mids, perfect for the band's style.
• Effects:
  • Light distortion: A subtle saturation is used to give more bite and presence to the bass sound.
  • Compression: Allows you to maintain a constant sound level while reinforcing attacks.

2. killing in the name bass tab: Jeu and techniques

a. Simple but powerful groove:

• The bass line in “Killing in the Name” by Rage Against the Machine faithfully follows the main guitar riff, playing primarily on the root notes of that motif. This strategic choice amplifies the weight and impact of the song, creating a solid, punchy sonic foundation that serves as the backbone of the song.
• The groove of the bass in “Killing in the Name” is based on a hypnotic repetition, an essential characteristic that structures the entire piece. This repetition is not monotonous, but on the contrary, it acts as a stabilizing force and a solid base, allowing the other instruments and the voice to express themselves freely while remaining anchored in a powerful rhythmic and harmonic framework.

b. Synchronization with battery:

• The bass is closely synchronized with Brad Wilk's drums, especially the kick drum. This synergy creates a fearsomely effective rhythm section.
• During the verses, Commerford plays with subtlety, adding a tension that is released during the choruses.

c. Dynamics:

• The bass alternates between more discreet sections in the verses and more aggressive and saturated playing in the choruses, following the dynamic progression of the song.
• At the climax, where Zack de la Rocha rehearses “Fuck you, I won’t do what you tell me”, the bass becomes more intense, adding to the general crescendo.

3. killing in the name bass tab: Role in the song

• Rhythmic foundation:
  The bass anchors the song, providing solid support for the guitar and vocals.
• Energy :
  Commerford plays a key role in maintaining the raw energy of the song, with his direct and percussive playing.
• Groove:
  Although the song is a raw cry of protest, the bass brings a subtle funk groove that gives an extra dimension to the song.

4. killing in the name bass tab: Accessibility for bassists

The bass line of “Killing in the Name” is relatively accessible for beginner or intermediate bassists:

• Simplicity: The game is based mainly on fundamental notes and repetitive rhythms.
• Focus on regularity: The challenge lies in rhythmic precision and consistency of groove, rather than technical complexity.
• Material : A simple bass with an amp that offers good sustain and a slight saturation is enough to reproduce the essence of the sound.

5. killing in the name bass tab: In conclusion

The bass of “Killing in the Name” is a perfect example of the importance of simplicity and groove in a rock song. Tim Commerford plays a central role, creating a line that, although discreet at first glance, is essential to the energy and power of the song. His ability to combine precision, groove and aggression helps make this song a timeless classic of alternative rock.