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In this version of this song of Telephone, the guitar part focuses on the basic chords, which makes the piece accessible to beginners. Barre chords have been removed through the use of a capo, making chord changes easier and more comfortable to play.
The guitar rhythm consists mainly of white, round and linked rounds. These longer durations give you more time to make chord changes smoothly. It is important to master the transitions between chords and maintain a regular beat throughout the song.
This simplified version allows you to focus on learning basic chords and develop coordination between the left hand for chords and the right hand for rhythm. By working on this version, you will be able to acquire fluidity in your chord changes and develop your sense of rhythm.
If you want to take on an extra challenge and work on barre chords, you can upgrade to the beginner/initiated version. This will allow you to explore new chord positions and improve your playing technique.
Our advice: take care of your chords and chord changes by working slowly on each part of the song. Then, go through the different parts of the piece slowly at first, then gradually increase. Also don't hesitate to play it a little faster to be comfortable compared to the original speed.
Now it's time to learn Le jour s'est levé Easy Guitar.
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The day dawned guitar simplified is a little more complicated than The day dawned guitar easy. It includes powerchords which a beginner would not be able to execute at the moment. Nevertheless, the rhythmic is as simple as the easy version. This can allow a beginner on the way to becoming an initiate to work on barre chords with time between each chord transition.
Our advices : take care of your chords and chord changes by slowly working on each part of the song. Then, go through the different parts of the piece slowly at first, then gradually increase. Also don't hesitate to play it a little faster to be comfortable compared to the original speed.
Now it's time to learn Le jour s'est levé simplified guitar.
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In this version of “Le jour s'est levé” for guitar, the triad barre chord technique is used. The barre chords Triads consist of a root, a third and a fifth, thus forming a complete chord. This approach produces a rich, harmonious sound while making chord positions on the guitar neck easier.
Rhythmically, this version is not very complicated. You will mainly play whole notes, half notes, quarter notes and eighth notes. These different rhythmic values create dynamics in the song and help maintain a regular pulsation. It's important to focus on maintaining the tempo and making sure to accentuate the downbeats to reinforce the rhythm guitar groove.
The “Bridge” part is even simpler, because it is made up of linked rounds. Tied whole notes are notes that last for several beats, in this case, they last for eight beats. This helps create a slower, more upbeat section in Le jour s'arrive rhythm guitar, providing an interesting rhythmic variation.
By working on this version, you will be able to familiarize yourself with triad barre chords, improve your playing technique and develop your musical ear by recognizing the specific sounds of each chord. Make sure you place your fingers correctly to get a clear sound without muffling the strings.
Our advices : take care of your chords and chord changes by slowly working on each part of the song. Then, go through the different parts of the piece slowly at first, then gradually increase. Also don't hesitate to play it a little faster to be comfortable compared to the original speed.
Now it's time to learn Le jour s'est levé rhythm guitar.
The solo in “Le jour s'est levé” offers an excellent opportunity to work on different playing techniques and effects used in many solos. It highlights techniques such as bends, hammer-ons, pull-offs, which are key elements for adding expressiveness and fluidity to your guitar.
This solo is based on the pentatonic scale of C minor, a scale widely used in rock and blues. By exploring this range, you will be able to develop your musical ear and your ability to improvise.
THE bends are essential techniques for creating pitch variations in soloing. This involves varying the tension on the string by pulling or pushing it to reach a higher note. Bends can be one tone (full tone bending) or semitones (semitone bending). It is important to work on the accuracy of the bends to obtain the right sound and the right intonation.
THE hammer-ons and the pull-offs are techniques used to play successive notes without picking out each note. Hammer-ons involve striking a note with one finger of the left hand and adding another note by pressing firmly on a higher fret without picking up the string. Pull-offs are the opposite, where you play a note with one finger and remove another finger to produce a lower note without picking up the string. These techniques allow you to achieve fluidity and speed in the game.
By working on this solo, you will be able to improve your precision in bends, your coordination between different techniques and develop your ability to improvise in the pentatonic scale. Don't hesitate to study the different positions of the scale on the neck of the guitar to explore all the possibilities.
It is important to note that this solo is accessible to an initiated to intermediate level guitarist. This means that it requires some mastery of basic guitar techniques, but can also be a challenge to progress to a higher level.
Our advices : take care of your notes, your playing effects such as bends, hammers, pull offs and slides using the prerequisites if you have not yet mastered these techniques. Also take care of your plans as a whole by working slowly on each part of the solo. Then, go through the different parts of the solo slowly at first, then gradually increase. Also don't hesitate to play it a little faster to be comfortable compared to the original speed.
Now it's time to play the guitar solo Le jour s'est levé.
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