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The battery of “Locked Out of Heaven” is an essential element of the groove and energy of the this song. Inspired by the rock-reggae sound of the police, it adds a catchy and engaging rhythmic dimension, while remaining complex and dynamic. The drums contribute to the danceable and percussive rhythm that distinguishes the song, and she uses several techniques to enrich the overall sound.
The drum groove is centered on a backbeat solid with marked accents on the second and fourth beats, a rock classic, while adding elements of offbeats typical of reggae. These offbeats reinforce the syncopated bass line, creating a percussive dialogue between the instruments.
The hi-hat is often played in sixteenth notes (16th notes) and accentuates particular notes for a syncopation effect. This sixteenth note playing gives a sense of continuity and constant movement, making the rhythm of the song very danceable and supporting the groove in a fluid way.
Accents on crash cymbals appear in transitions, especially to emphasize passages towards choruses or moments of great intensity. The drums also use fills between musical phrases, adding variation without weighing down the rhythm.
The kick drum plays a central role in the rhythm, with syncopated placements complementing the bass. Kick drum patterns add bursts of energy, especially in the choruses, while reinforcing the groove feel.
The drums alternate between very dynamic and lighter sections to serve the evolution of the piece. The precision of the drums, especially on the offbeats and syncopations, is essential to capture the energy specific to the piece. This technical precision also allows the drums to function as an element of tension and release, supporting both the voice and the other instruments.
In short, the battery of “Locked Out of Heaven” combines power, precision and groove. It is inspired by varied influences but maintains a style specific to Bruno Mars, making the song immediately recognizable and catchy.
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