this song
How to play J’ai vu Niagara ?
It was in 1990 that "J’ai vu", song signed Niagara, released on the album "Religion".
Mixed in, saturation, overpowering riff (directly taken from Led Zeppelin), frenzied electric guitars of Daniel Chenevez, snarling song of Muriel Moreno and angry words.
At the time of its release, the single “J’ai vu” received a fairly negative reception. We suspect Niagara of seeking to politicize itself while only resulting in a succession of protest clichés, piled up like an almanac.
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If you are looking to progress in your musical practice, and you are wondering how to play how to play J’ai vu by Niagara, here are some tips for you! By practicing this song, you will be able to improve your technical skills on guitar, keyboard, drums and bass, as well as develop your ability to sing while playing the guitar. In addition, you will be able to immerse yourself in the unique blues-rock atmosphere of Niagara and discover new ways to express your musical creativity.
Here you will find lessons to learn how to play how to play J’ai vu by Niagara for the following instruments:
Musically, "J’ai vu" is an interesting piece to study because it combines elements of blues and rock. Indeed, the typical blues shuffle rhythm gives the song a groggy sway that sets it apart from other rock songs. The singer's voice, angry and powerful, blends perfectly with the snarling guitar riff, creating a dark and intense atmosphere.
In addition to the musical dimension, "J’ai vu" also offers opportunities to explore language and poetry. The lyrics, written in French, tell a poignant story that can inspire musicians to seek new ways to express themselves through music.
Verse 1
J’ai vu Berlin, Bucarest et Pékin comme si j’y étais
Matin et soir le nez dans la télé, c’est encore plus vrai
J’étais de tous les combats, collée devant l’écran
À la fois à Soweto, en Chine et au Liban
Prechorus 1
Lancer des pierres au bord de Gaza, je ne regrette pas
Des religieux, au nom de leur foi, m’ont lancé une fatwa
CHORUS 1
J’ai vu la guerre (guerre), la victoire était au bout de leur fusils
J’ai vu le sang (sang) sur ma peau, j’ai vu la fureur et les cris
Et j’ai prié (-ié), j’ai prié tous ceux qui se sont sacrifiés
J’ai vu la mort (mort) se marrer et ramasser ceux qui restaient
Et j’ai vu
Verse 2
Que cent mille fleurs s’ouvrent à jamais, et j’ai déjà donné
Les drapeaux rouges ont cessé de flotter, je les ai brûlés
Un homme ce matin s’est jeté sous un train
Abandonné comme un chien, la misère et la faim
Prechorus 2
La pire est à craindre pour demain
Ça ne me fait rien
Accrochée à ma fenêtre bleutée
J’ai cherché la vérité
CHORUS 2
J’ai vu la guerre (guerre), la victoire était au bout de leur fusils
J’ai vu le sang (sang) sur ma peau, j’ai vu la fureur et les cris
Et j’ai prié (-ié), j’ai prié tous ceux qui se sont sacrifiés
J’ai vu la mort (mort) se marrer et ramasser ceux qui restaient
Et j’ai vu
SOLO
CHORUS 3
J’ai vu la guerre (guerre), la victoire était au bout de leur fusils
J’ai vu le sang (sang) sur ma peau, j’ai vu la fureur et les cris
Et j’ai prié (-ié), j’ai prié tous ceux qui se sont sacrifiés
J’ai vu la mort (mort) se marrer et ramasser ceux qui restaient
J’ai vu la guerre (guerre), la victoire était au bout de leur fusils
J’ai vu le sang (sang) sur ma peau, j’ai vu la fureur et les cris
Et j’ai prié (-ié), j’ai prié tous ceux qui se sont sacrifiés
J’ai vu la mort (mort) se marrer et ramasser ceux qui restaient
Et j’ai vu
It was in 90 that "J’ai vu", song signed Niagara, explodes within the album "Religion".
Saturation, overpowering riff, frenzied electric guitars, vocals of Muriel Moreno at the edge of the tear, "J’ai vu" unleashes the crowds. .
Assassin riff, snarling and screaming vocals of Muriel, and the lyrics!
Carried away by the guitar of Daniel, the listener is reluctant to examine the secret areas of the text, to place this abundance of commonplaces in the logic of a song. A dark but very real picture of world news, so much so that the song was censored on the radio during the Gulf War a year after its release.
The song remains a smashing essential hit of French rock.
"J’ai vu" is a reminder of the world around us: constantly turned upside down, in which peace is far from being something acquired for good.
At the time of its release, the single received a fairly negative reception. Niagara seeks to politicize itself but only ends up with a succession of protest clichés, piled up like an almanac: Berlin, Bucharest, Beijing, fatwa, red flags, Gaza.
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